Zee, Doc, Joe, Kevin, Bogs, Dennis, Arnold;
Thanks very much for your remarks. Very encouraging, and they're really appreciated!
Zee, sorry to be so pokey. Most of my day is taken up with eating and sleeping, you know. What a struggle!
Doc, thanks for the tips on the 17-4. I'll get a piece and play with it sometime. Looking at the cutting charts for it, could be a little tough for my small machines, but I'm all for a new (machining) experience!
Joe and Dennis, sometimes those darn recut marks are caused when I blow out a slot and I've left the mill running. That's often how I do it, and if I would take the time to shut off the mill beforehand, it would cut down on it some. I use canned air with a long nozzle to reach in and give it a puff, and sometimes can hear a chip going past the cutter edge. It makes a little "tic" as it goes through, pushing the end mill over against the other side of the cut, and you get that little nick.
I rarely get those nicks when cutting a wide slot or profiling an edge, since the chips have somewhere to go.
Arnold, sometimes those marks that look the same as recuts can be from a blunt tool. That will often leave a kind of "fuzzy" surface, too, or a rippled effect that is more pronounced than usual. If your tool is sharp though, it's probably from recutting chips. If you have room for a finish pass you can get rid of much of it. Vacuum out all the chips and run your last pass.
John, thanks. I surely agree, much of the end result comes from what is done after the piece comes out of the mill vise. I want the machine to do the needed accuracy part, (as long as I do my part!), but don't expect it to put on the paint and polish. ; )
Kevin, do you have some fairly good files? Just your average well made brand will do, and you don't need to spend a fortune. Nicholson, or something like that. A 6" single cut (mill *******), and a single cut mill smooth in the same length will be a good start. Shorter files give a finer finish. Watch for pins, a real finish killer.
Dean
Thanks very much for your remarks. Very encouraging, and they're really appreciated!
Zee, sorry to be so pokey. Most of my day is taken up with eating and sleeping, you know. What a struggle!
Doc, thanks for the tips on the 17-4. I'll get a piece and play with it sometime. Looking at the cutting charts for it, could be a little tough for my small machines, but I'm all for a new (machining) experience!
Joe and Dennis, sometimes those darn recut marks are caused when I blow out a slot and I've left the mill running. That's often how I do it, and if I would take the time to shut off the mill beforehand, it would cut down on it some. I use canned air with a long nozzle to reach in and give it a puff, and sometimes can hear a chip going past the cutter edge. It makes a little "tic" as it goes through, pushing the end mill over against the other side of the cut, and you get that little nick.
I rarely get those nicks when cutting a wide slot or profiling an edge, since the chips have somewhere to go.
Arnold, sometimes those marks that look the same as recuts can be from a blunt tool. That will often leave a kind of "fuzzy" surface, too, or a rippled effect that is more pronounced than usual. If your tool is sharp though, it's probably from recutting chips. If you have room for a finish pass you can get rid of much of it. Vacuum out all the chips and run your last pass.
John, thanks. I surely agree, much of the end result comes from what is done after the piece comes out of the mill vise. I want the machine to do the needed accuracy part, (as long as I do my part!), but don't expect it to put on the paint and polish. ; )
Kevin, do you have some fairly good files? Just your average well made brand will do, and you don't need to spend a fortune. Nicholson, or something like that. A 6" single cut (mill *******), and a single cut mill smooth in the same length will be a good start. Shorter files give a finer finish. Watch for pins, a real finish killer.
Dean